We digitized over 1,000 paintings of Alexander Aizenshtat ranging in size from 30 centimeters to 6 meters. The shoots were conducted in Moscow, Saint Petersburg, Jerusalem, Monaco, Milan, Zurich, and Vienna.

Technically it was very interesting. And perhaps this was our most challenging project in all 8 years of digitizing paintings. Deep black-violet tones and abundant highlights demanded considerable effort. It was especially difficult to work with large formats in confined spaces.

In the end, all works larger than one and a half meters were captured using a panoramic method — in parts, then stitched into a single image. This approach eliminated glare and achieved very high detail.

The resulting materials will be included in the catalogue for the artist’s exhibition in New York and will form the artist’s digital archive.

Digitization was carried out for the exhibits of the “Vsyakie Skazki” exhibition: about 50 paintings and 5 sculptures were converted into digital format. The photography took place in Nizhny Novgorod in the PakGauzy exhibition space.

We created high-precision digital models of several exhibits at the Patimat Gamzatova Museum of Fine Arts. The shooting was done with a Canon 5DS R camera, which enabled exceptionally fine detail, and a ring flash was used to eliminate shadows and noise in the raw images. The 3D models were merged and processed using RealityCapture.

The resulting models are available for viewing on the museum’s Sketchfab page.

Our team of specialists took part in an international project organized by the Peri Charitable Foundation to digitize an outstanding monument of late 15th–early 16th century monumental painting.

As part of the project, the entire interior of the church — more than 300 square meters of frescoes — was digitized using advanced panoramic photography techniques.

Detailed 3D models of the portals, dome, pendentives, and other architectural elements were also created.

The shooting took place over a period of two months, in the evenings after the monastery was closed to visitors (from 5 p.m. to 1 a.m.).

Each final panorama was composed of hundreds of individual photographs. Subsequent geometric correction was performed using orthoprojections generated with LiDAR and photogrammetry.

The resulting images, with resolutions ranging from 250 to 700 dpi, reproduce the original frescoes and architectural details with exceptional precision and fidelity.

As part of the project, extensive work was carried out to create a digital archive of Derbent’s historical and cultural monuments. The shooting took place within the Naryn-Kala fortress and other significant architectural sites of the region.

During the expedition, ancient stone slabs and inscriptions were digitized — including the arch of the Orta-Kapy gate, the Bab al-Qiyama tower, 15th-century inscriptions on the Kirhlyar-Kapy gate, Middle Persian texts from the 6th century, as well as 11th–12th century steles with religious and memorial inscriptions.

The project was implemented with the participation of local photographers trained in modern 3D scanning and photogrammetry techniques.

The result is a collection of highly accurate digital models of great value to historians, art experts, and restoration specialists.

3D models are available for viewing on our studio’s Sketchfab page.

A large-scale digitization project was carried out at the Dagestan Museum of Fine Arts named after P. S. Gamzatova. As part of the project, more than 500 works of painting and graphic art were digitized.

The shooting was conducted in the museum’s exhibition halls using professional equipment, which made it possible to achieve high precision and image detail. This allowed for the preservation of artists’ signatures, collectors’ seals, and other unique elements essential for attribution and research.

The resulting materials form part of the museum’s digital archive, helping to preserve and make accessible the artistic heritage of the region for scholars and the wider public.

As part of the project, around 200 paintings by Valentina Telichkina were digitized. These images became part of a publication dedicated to her creative work, presenting both facets of her talent — her film roles and her painting, which she has pursued since the early 1990s.

Professional reproduction photography made it possible to capture the color, texture, and subtle nuances of each artwork with the utmost accuracy, preserving their individuality and atmosphere.

As part of an international project, our team carried out high-precision 3D digitization of the abandoned mountain village of Kala-Koreysh, an important historical site in Dagestan.

A total of 39 carved tombstones, the entire settlement, and the carved wooden doors from the Kala-Koreysh mosque (now housed in the National Museum of Dagestan) were digitized in detail.

The project resulted in the exhibition “Words of Stones”, featuring accurate replicas of the doors and tombstones. The exhibition was presented at the State Hermitage Museum (St. Petersburg), the Victoria and Albert Museum (London), and the National Museum of Dagestan, and is now part of the permanent collection of the Dagestan Aul Museum in Makhachkala.